MARIA DI ROHAN - Berlin

 Full of cheerful joy of acting such we experienced the Mexican Tenor Jesus Leon in the part of Riccardo with plenty of sweetness and a suppressed lacrima nella voce, a voice with a homogeneous color and secure high tessitura. For once the tenor was not the weakness of the show, but one of its very strengths.

Ingrid Wanja - Der Opernfreund

TOSCA - Derry

Mexican tenor Jesús León (also making his Tosca debut) sang (in English) ‘Lucevan le stelle’ in this grimly foreboding setting, revealing a voice with a ringingly supple top end and lean, strikingly photogenic features.

Terry Blain - BBC Music Magazine

RIGOLETTO - San Francisco

Our Duke, Jesús León, is a natural tenor with an unforced top and the ability to sustain high notes for an impressive length of time. He is also a natural onstage, totally believable as a philandering lover, able to maintain focus in “Questa o quella” as two women ran their hands all over his face and body, and handsome enough to seduce the innocent Gilda.

Jason Serinus – San Francisco Classical Voice

LA TRAVIATA - San Francisco, CA

Jesús León is a living incarnation of Alfredo. He exudes a boyish charm and a happy-go-lucky approach to life.

Philip G. Hodge – Lasplash.com

I’d heard of the Mexican tenor Jesús León, but not heard him. He was certainly worth the wait. His Cavaradossi gripped from the very first, and he established a thrilling chemistry with both Tosca and Scarpia. ’Recondita armonia’ was seductively abandoned and lyrical, he was superbly dramatic and realistic in the horrors of Act Two, and sang an ‘E lucevan’ to die for. His voice is even, with a terrific, flexible top, and he’s a good, and good-looking, actor.

Peter Reed - Classical Source